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The ceiling painting of Juda Tadeas Supper in the cemetery church Finding of the Holy Cross in Moravská Třebová
Šelemba, Michal ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
The main purpose of the diploma thesis is the ceiling painting of Juda Tadeaus Supper in the cemetery church of the Finding the Holy Cross on the Cross's Hill in Moravská Třebová. The main part of the diploma work is about theologically well considered iconografical conception of the paintings. In the same line, the diploma work will talk about each topic accompanying by Latin inscriptions of Bible, liturgical texts and extracts of the Church Fathers, and also there will be older non-precise or faulse opinions related to the iconography of the painting. Furhter, the diploma work will be talking deeper about the link between the liturgical fiction and painting iconography showing the Legend of the Holy Cross and the themes concerning the last human things and the saving objects for the souls in the purgatory together with Eucharist and Five wounds of Christ supported by post-trident theology. The aim of the diploma work is to show the interesting iconography programme of the regional artistic work, whose thorough realisation is to be compared with the nowdays most interesting realisations of the mural paintings occupy takes up of the unique place.
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The Chapel of (Holy) Souls in the Art of the Society of Jesus
Čížkovská, Zdeňka ; Oulíková, Petra (advisor) ; Opatrná, Marie (referee)
Art of Jesuit Chapels of the Deceased The theme of this work is presentation of Jesuit Chapel of the Deceased in Bohemia in the Baroque period. The main idea of these chapels are the last idea of man and reminder to purgatory. The presence of purgatory was unquestionable for Baroque society and very often presentation in art. Purgatory was place, which gives hope to the Catholics for salvation and it was great occasional for using special symbols and emblems, it is a way how the remind a believer to the idea of the Last Judgment.
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Hells in Korean Buddhist Art
Janatková, Kateřina ; Zemánek, Marek (advisor) ; Löwensteinová, Miriam (referee)
The aim of this thesis is to present the concept of hell as it is portrayed in Korean Buddhist paintings. The opening chapters focus on introducing the concept of hell throughout the history, from India to Korea, the definition of the term, description and classification of hells. Core part of the text consists of three genres of Korean Buddhist painting: jijangdo, gamnodo and siwangdo. Rituals, which correlate with the paintings, are also mentioned. Short disgression about buddhist cosmology, specifically a describtion of a world sphere, cakra- vāda, is made in chapter 3. Closing chapter briefly deals with portrayal of hells in contemporary Korean art and culture.
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Dispute over Catholic and Protestant notions of purgatory in the 16 century
Roček, Martin ; Suchánek, Drahomír (advisor) ; Drška, Václav (referee)
(in English): Presented work explores dispute over Catholic and Protestant notions of purgatory in the beginning of 16th century. The aim of this work is to analyse differences in perspective on Scripture and reasons which led Protestant theologians to rejection of the doctrine of purgatory. Due to limited space of the work, several key documents were chosen to portray how protestants theologians challenged existence of purgatory. The first part of the text summarizes the development of the idea of purgatory and gives an overview of the perception of purgatory in the 16th century in order to provide basis for better understanding of the topic. The following part introduces different views present in protestant movement in Germany and among Swiss reformed theologians. The last part of this text describes the development of council of Trent where controversial questions raised by protestant theologians were addressed so as to redefine the doctrine of purgatory for the following centuries. Klíčová slova (anglicky): Christianity, protestantism, purgatory, eschatology, reformation, heaven, hell
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Poetika deaf and dieing in traditional and presently Czech culture
SRPKOVÁ, Zdeňka
Death is regarded as the end of the life cycle of any living being, including humans. Death has still been made a taboo topic of a regular conversation. Understanding the finiteness of death in this context is differently perceived in different cultures and in different periods of society development. Czech culture as a part of the Central European civilization area has its specifics in understanding the death issue, which is reflected in all varieties of artistic creations. Therefore, the objective of this thesis was to determine the attitude of a selected population sample to the death issue from the ethical point of view, and if the artistic expression of death influences this point of view. Another goal of this thesis is to find out if people think about death, which causes their thoughts depressive, or if they consider death an integral part of life concerning all of us. The thesis consists of two parts {--} theoretical and practical. In the practical part, the method of quantitative research, the interrogation method using the questionnaire technique was applied. The data obtained from the questionnaires were evaluated and made into graphs. The results show that the hypothesis 1: ``I do not think of death, when death comes, it will be present. I would feel depressed thinking of anything like that{\crqq} was not confirmed. On the contrary, the hypothesis 2: ``Death is a matter of logic, accompanying life, and I have been trying to cope with this fact both in the case of my loved ones and my case{\crqq} was confirmed. After the analysis of the obtained data, the hypothesis 3: ``I have encountered a death expression in a work of art and I felt deeply touched{\crqq} was only partially confirmed. The respondents claimed that they had encountered such a work of art but left untouched, because they considered the expression of death only a part of the work, which also confirms the hypothesis 4: ``I consider an artistic expression of death as a part of the work, a mere intent of a writer or and artist, I am not concerned at all. The thesis could be used as an instrument to inform the general public and professionals on the impact of artistic creation on the view of a certain population sample on the death and dying issue.
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